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Education: Rotterdam Conservatory, Cambridge University // Activities: composition, writing

Saturday, 24 September 2022

Individual artistic achievement contested

 Another BBC video as a revealing documentation how 20C modernism, helped by lack of artistic talent and ignorance, misread the reality of the past, even going so far as denying that Michelangelo painted the Sistine Chapell on his own and sculpted his David alone - which has long been established as historical fact.

'In reality, Michelangelo's iconic fresco's were a product of collaboration with other artists.' Which is entirely untrue: the sources unanimously confirm that Michelangelo painted the frescoes all alone, contrary to the customs of the time, and sculpted his David alone, over a period of 5 years, in secrecy, to make its revelation all the more surpsising.

https://www.bbc.com/reel/playlist/creativity-collective?vpid=p098f8l9   

The intention is to 'dismantle the myth' that artists did things alone, because of their own, individual talents; it is more reassuring and less threatening to assume that their work always was a group endeavor. This is confusing cultural environment with individual achievement. 

It is no coincidence that this nonsense is presented by female modern 'artists' who clearly have no talent of their own which, if even from lightyears of distance, could be compared to the artists of the past like Michelangelo. Such videos are a useful reminder of the decline of the concept of culture in the last century and its lingering influences in our own time, and how modernism opened the doors to ambitious but entirely untalented people seeking their irrelevant hobby to be publicly acknowledged as contributing to the field of art, and thus deserving to be paid for, to be exhibited, to create careers, etc. Instead of liberating women from age-old patriarchal oppression and prejudice, such nonsense merely feeds the idea that women are best for kitchen and child care but not to be taken seriously and definitely not in the field of art. Such videos are anti-feminist, embarrassing revelations.

Sunday, 18 September 2022

Distrust

The current distrust of large parts of Western populations in established news outlets can be summarized as follows: 'I know you are telling the truth, I just don't believe it.'

Tuesday, 13 September 2022

Culture as war crime

 A symphony orchestra from Moskow, called the 'Kremlin Orchestra', performed on the ruins of the theatre of Ukrainian city Mariupol, a beautiful 19C building which was bombed to pieces by the Russian army, killing hundreds of innocent civilians (including women and children) who had sought refuge therein, but who found their mass grave in one of the many war crimes happening in this absurd and entirely unnecesary war.

How to read this event? A gesture of reconciliation? or of triumphalism? Judging the obvious intentions of the Russian government, the latter conclusion seems the most likely. Any way, it is one of the most despiccable forms of recruting culture to make a statement amidst atrocities which appear from prehistoric, insane violent instincts.

https://slippedisc.com/2022/09/kremlin-sends-orchestra-to-play-in-mariupol-ruins/

Friday, 2 September 2022

Recreating sustainability

What we call sustainability today was the way of life 200 years ago.

A small German village has been resurrected from its neglect into a wellness retreat based upon sustainability and a way of life free from toxic modernity, while still keeping electricity and modern communication media.

It is a good example of how understanding and reinterpreting the past can open-up to a progressive future.

https://www.bbc.com/travel/article/20220902-schmilka-the-progressive-german-town-stuck-in-the-past

Thinking about history as a one-way timeline, where technologies define progress, is replaced by a way of thinking about history and time as a continuum, and where progress is defined by improvement in terms of quality. This turns a vision of the past into something fluid and makes concepts accessible which are impossible to grasp from a timeline version of history.

If applied to culture, the advantages of such continuum thinking are obvious: meaningful value, locked-up in a narrow vision of history, becomes accessible again and available for reinterpretation. 'Forward' and 'backward' obtain different meanings.